Anya Taylor-Joy can’t take it anymore! The star of the film Mad Max Furiosa struggles during filming to put an end to this mania of portraying anger in female characters

News culture Anya Taylor-Joy can’t take it anymore! The star of the film Mad Max Furiosa struggles during filming to put an end to this mania of portraying anger in female characters

Disagreements with Georges Miller about the expressiveness of Furiosa

Headliner of Georges Miller’s latest science fiction blockbusterUS star Anya-Taylor Joy admits to having had some disagreements with the Australian director on set. Their discussions focused in particular on the actress’ interpretation; in fact, Georges Miller had a very strict idea of ​​what Furiosa should look like.

In his opinion, only the eyes of the protagonist should see her feelings, with few dialogues and no a priori expressed emotions.

Anya Taylor-Joy in Furiosa: a Mad Max saga

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However, her expectations were not necessarily shared by the Furiosa actress. Even though she has no more than 30 lines in the feature film, she wanted to have more freedom in interpretation. To that end, she spent nearly three months lobbying the director to add a screaming scene, a striking scene in which Furiosa briefly splits the armor. After long negotiations, she will have actually won her case, as the scene was added to the final result. However, the victory on this level was only partial. In his interview for GQ UKThe actress reveals that she lobbied for another scene to be shot, but it was not included in the final cut.

An actress who advocates for better representation of anger in female characters

In fact, the young actress, who introduced her to the general public in 2020 with the series “Le Jeu de la Dame”, is not her first attempt in this field. On several occasions she was able to participate in the construction of the characters she played in order to make their reactions more realistic and less stereotypical.

It started on the set of Robert Eggers’ film “The Witch”. The latter had written a scene in which Taylor-Joy’s character Thomasin had to cry after being accused by her own family of being an evil presence. The actress did not understand the decision to cry, “She’s upset; she’s super angry. (…) We have to stop crying,” she then explained to the director, words she shared with British GQ media in the video below.

Ultimately, Robert Eggers won her case and taught the young woman that expressing her point of view on stage could be a good thing. She repeated this on the set of the film “The Menu,” where the script required her character to shed only one tear, even as she discovered a great betrayal. Spoil

AdvertisementHide In fact, her admirer had taken her to an island far away from everything with the simple intention of having her killed. The actress found the recommended reaction ridiculous and looked at the scene differently: she wanted her character to react in a more organic and violent way. The director enthusiastically embraced the idea.

“Let me explain: I’m going to jump over the table and try to literally kill it with my bare hands.” Anya Taylor-Joy to Mark Mylod, director of The Menu.

The same was ultimately the case with the second collaboration between Anya Taylor-Joy and Robert Eggers. He then asked the young woman for advice on the staging of certain scenes, brought some impressive ideas, such as the scene where she splattered her hand with her own blood before slapping King Fjölnir. The American director and screenwriter then congratulates his actress on a “strong, provocative and unforgettable choice”. However, the fashionable young star assures that she is not particularly angry, but simply wants to defend authentic female anger and far from ordinary representations of the seventh art.