I've never reviewed it: Netflix tecom teens find fun in complexity

About one minute into Netflix's sitcom teen I've never been, a voiceover made by tennis lean John McEnroe introduces the main character. The three-time Wimbledon Grand Slam winner, who gained much popularity in the 1980s, is a rare choice of storyteller for a teenage girl in 2020. Teen shows often use some kind of narrative device to capture the inner character of a character, such as Sam wrote in his diary on I'm wrong about this. But it is very interesting to see that familiar narrative turn into a 61-year-old man describing the inner struggle of youth over masters, boys, and popularity, especially in the early years, that young, Devi (newcomer Maitreyi Ramakrishnan) was praying to the Hindu gods for a male boyfriend.

That narrative choice helps the recurring jokes of the new Mondy Kaling series begin its opening moments. I've never been it features a story that comes to the heart of the age of loss and grief, but the show is also entertaining, depending on how its characters and experiences bring humor.

I've never been It follows first-generation Indian-American Devi Vishwakumar, a high school sophomore living in Southern California with a strong mother (Poorna Jagannathan) and an active cousin (Richa Shukla). Not only does he run the risk of high school and cultural collision, he is facing the death of his latest father, leaving him mentally handicapped, leading to a new year of illness. This year, she's determined to reinvent herself and her best friends, and be "cool."

I've never beenBullets outnumber the typical stock types found in a story set for teens. Devi is a well-respected student, but she is also strong and not afraid to speak her mind. Because you process the grief of the death of your father, you are sometimes curious or upset. The show is very focused on her arc, so even though her behavior can be selfish, she gradually comes to terms with her grief. It's a well-spoken emotional scent, but his vulnerability is not what makes him a memorable character – it's because it's so funny.

Ramakrishnan delivers his dialogue with a certain confidence of a high school kid. When Devi's classmate Ben Gross (Jaren Lewison) doubts that he has a date, he quickly replies, "I can't leave again tomorrow, because I'm about to be sent in. Peace, maiden," and the walkers leave, leaving Ben stunned. Devi is hot-headed, selfish, and totally amazing. As a lead, he offers a show, but the plot is full of characters who not only discover their own emotionally charged arcs, but have enough questions to bring them out.

Devi's best friends, Fabiola (Lee Rodriguez) and Eleanor (Ramona Young), each have their own stories, amplified by the fact that Fabiola preaches her secrets to a soft-spoken robot who makes up a robot club, while Eleanor's reaction to the crisis announces that she is almost done. and trading in her colorful clothes, and colorful dresses. Ben Gross comes from trying to be a good place to truly love his character, not only because he enlarges the character himself, but also with the small details he draws from Devi's idea of ​​him: He often sends Rick and Morty subreddit, and keeps Andy Samberg's poster inside Popstar: Never Give Up over his bed. Paxton Hall-Yoshida (Darren Barnet,, a high-profile acclaimed high school vocalist since Troy Bolton) is given more power than a popular joke, especially when he grows to love Devi's friendship. It's easy to invest in these characters because they feel like real kids with real data. Each of them has its own problems, which deal with equality and humor.

I've never been rich in cultural and artistic significance, highlighting small details on Indian-Americans, first-generation immigrants, and Gen-Z's high school experience. At one point, Devi's mother commented on how much all Indian families knew were flooded with media. The family is on their way to a Hindu holiday celebration – to be held at Devi High School. (First-generation Americans who try to hire high schools to celebrate cultural holidays will deeply understand.) The third episode begins with Devi, Fabiola, and Eleanor trying to make a video like TikTok to catch her attention. Kamala enters Riverdale, and is inspired by the love of Jughead and Betty. As opposed to being extremely depressing Riverdale, entertaining ridiculous situations like Archie is fighting a bear and Cheryl burns her house on fire, I've never been is based on real-life experiences of sadness, high school friendships, and coping with family expectations.

At its heart, I've never been A story about coping with grief and navigating the dangers of high school. It is a common arc, even with the difference of first-century American culture. But to make the show unforgettable, the completely liberated characters that bring a certain sense of humor, and then they enter the plot and turn into just funny pieces into logical comments. By the end of the show, we know why John McEnroe recounts Devi's thoughts, because his dad was a tennis fan, and toward the end, McEnroe himself seems to have a heart, as Devi comes to his loss. The plot tool used for humor becomes dark without losing the joke, the balancing act of emotionally-based humor and the spectacle is magnificent.

I've never been streaming on Netflix now.

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