The creators of Studios Worldwide are naming their Favorite PlayStation of All Time – igamesnews

Not one game that has appeared on PlayStation Hardware over the years has firmly established the foundation of my game design beyond the Koji Igarashi seminal platform / RPG mashup platform – Castleylvania: Symphony of the Night.

The tone, the earthwork, the mechanic, the positioning and the design of the levels are fantastic. This game is so timeless that I find myself thinking about this game almost every year and it's compelling!

The shadow of the Colossus is very important. It became a favorite right where I was playing. Color, light, atmosphere, and music contribute to a mysterious and complex, yet beautiful, atmosphere. The mechanics were young at the time and not outdated, and I really like the way you lead the light with your sword to inspect it. It's pretty cool.

The game really helps bring the cinema experience that always stuck with me. The horse-drawn carvings and the high level of the Colossi all felt very special and ahead of their time.

To me, Shadow of the Colossus is a work of art that has given me creative wisdom for me throughout my career as a game maker.

With Metal Gear Solid, it sounds like games are suddenly taking a huge step forward. Between reality and pure dream, it is a game that completely captivated me with its mysterious action.

The MGS gameplay was inventing things at the time and I liked the many ways it surprised players. There is also a deep message that keeps us talking about it for years. MGS V may be in the series, but this is the most iconic design ever.

This is difficult, as you have chosen your favorite child. Yes, I will go with the God of War. This is a really fun story – one that was deeply immersed in a progressive camera, focusing on the relationship of Kratos and his young son Atreus. As the father of a 14-year-old when it comes out, this story is very obvious. Atreus finally threw it all back in Kratos in a dream sequence –

A reboot can be dangerous, but Santa Monica Studio succeeded in making Kratos a beloved character.

I loved the great Warse World of Warts, and took a trip to Jotumheim recently.

I went back and forth between choosing MGS1 or MGS3, but at the end of the day I had to choose the last one. I especially liked the decision to take the series back to the 1960s and its transition to a more natural environment, with a greater emphasis on survival in the wild. Wow, and that is a sniper's recent breakthrough – I don't think I've ever been so stressed out during a fight!

But larger-than-life characters always keep me coming back to this historical policy, and Snake Eater has the best of it. From the terrific Russian Colonel Volgin to the brash (and now very young) Ocelot, their unique backdrops and unique collections were only matched by their unforgettable performances. Anyway, whenever I look back at Snake Eater, it's a Boss that I'll never forget. Snake's mentor is exactly the definition of "the hero of his story." And if learning why he did all this was not heartwarming enough, he should actually pull the trigger to kill his life (or the cinematic willn & # 39; s ending) he made a plan. To me, that was a game of all time.

I grew up in the era of "unique happenings" – the Bermuda triangle and the UFOs were major factors. Love me to choose your adventure stories, ghost stories, mysteries, and horror stories. All of these things scared me but I loved them. No wonder then that I love horror and the idea that the unexpected can happen and change everything around us.

In real life, Resident Evil can be really scary. In the video game, it allowed us to pause to believe and be in this world and help save it. I loved that I felt like I was in some kind of crazy X-Files but I was mad at him for my zombie assassination and then when I was able to get naked for my cunning. It changed my perception of what games I could do, and I realized in front of me that they would join films, theater and books as a means of communication to convey more experiences, feelings and motivations.

This series is the main reason I made video games, and it has inspired many other creators. I loved seeing the horror genre grow in Dreams. May it continue to enjoy the discovery of “strange things”!

Ico is a very memorable game for me, not because of how beautiful the world is, audio and narrative but because it was the first time that the gameplay mechanic had touched me spiritually. This story about a little boy trying to save someone was written down by a compelling and powerful gameplay skill – by holding someone in hand to guide them and solve a puzzle together. The multiplicity of the game is pinned together by it and makes it move in exactly the way the player runs.

The experience of playing this game stuck with me & # 39; s feeling & # 39; since I finished it the first time. All Team Ico games have the same emotional and memorable quality in their gameplay and world, (all of which I love!) But Ico remains my favorite. It totally distracted me when I first started playing it, and I increased my ability of what games to accomplish as a medium.

The gameplay case and narrative work together in a positive way.

The bold design of the dog eliminates common power concepts by building mechanics around each body's limitations and advances, leading to more encounters and less liking. In the last struggle of navigating the hospital, as I cut off the Firefly troops, my mind ran agonizing over Ellie's future until I was involved in a quick emotional discussion and trying to think of a possible outcome if she would agree to die.

In Left Behind, I played like Ellie on a busy night with her best friend in an abandoned store and watched their fraternity pieces through creative gameplay such as taking pictures in a photo booth, trying on a Halloween mask, and a navy gun game. I first heard what it is like for a person born in a strange and dangerous world to aspire to universal human desires such as freedom, precision and love.

I've never lived with the idea or the feelings of a character in one game completely in another game, but Naughty Dog has achieved this feat twice in one package, which is why The Last of Us is my favorite PlayStation game of all time.

The game that moved me the most, and which always stuck with me was the Journey. It surprises you with the look of the inaccessible sound, and takes you into a unique and mysterious world while creating the emotional connection of its characters and events. It combines well the subtle gameplay and storytelling into a profound experience.

Important classic.

The demonic souls, at least in the UK, were a very long sleep period. I remember getting my hands on an American copy and uploading a little awareness of the challenges ahead… From the first half to the end of the Demon & # 39; s Souls game it was a breath of fresh air – the first RPG action without a safety net – no hidden walls to stop over the cliffs, no boundaries managed accidentally killing the key NPC of the typewriter, and no ability to pause the game!

Each encounter was a battle of wits, every obstructed track was missed nearby – the experience was depressing but very unique. Many of the players were truly pioneering – fully integrated with the single-player experience, the black phantom attack as well that the boss fight, Old Monk, where you had to fight with another player to get better – from the very beginning to the present.

This was the spiritual basis for games like Black Souls and Blood. It was, and still is, a masterpiece.