Apple raises the bar for its popular “Shot On iPhone” series!
Apple has updated its famous series “Shot on iPhone 14” with a new video that once again demonstrates the versatility of the iPhone 14 camera. The result was a compelling story titled ‘opportunity’presented by Apple a few hours ago, and that we also leave you at your fingertips a few lines later.
the short movie filmed with the iPhone 14 Pro lasts 30 minutes and comes from director Vishal Bhardwaj. The same is done by Wamiqa Gabbi and Ishaan Khattar, Indian movie stars and TV shows.
The iPhone 14 camera in action
“Opportunity” tells the story of a man named Nishant who gets his hands on an ancient relic called Doordarshak which tells him the future. Fascinated by predictions, Nishant is intrigued to uncover the mechanisms behind how the Doordarshak works. However, in the aftermath, he even loses his love’s love on their engagement day.
During filming, Bhardwaj used the iPhone 14 and supported himself with various accessories.
Like every year, the The iPhone 14 introduced a series of innovations in the camera system compared to the previous generation. However, it’s the different video modes that really make the difference on the newer iPhones. iPhone 14 has 4K cinema mode and action mode, iPhone 13 only has 1080p cinema mode, while iPhone 12 has none of these recording modes.
iPhone 14 camera specs include:
- iPhone 14 main camera: 12 MP with ƒ/1.5 aperture and 1.9 μm pixels.
- Ultra wide angle camera: 12 MP with ƒ/2.4 aperture.
- Optical image stabilization by sensor shift.
- 2x rear optical zoom.
- Digital zoom up to x5.
- Photonic engine.
- Deep fusion.
- Smart HDR 4.
- night mode.
- Photographic styles.
- Cinema mode (4K HDR up to 30 fps)
- Action mode.
- Front camera with autofocus.
For several launches, Apple has made the iPhone’s camera system the industry benchmark, motivating more and more sectors are encouraged to replace traditional equipment with devices with the bitten apple logowith increasingly complete results as demonstrated by ‘Fursat.
