There's more to Semisonic & # 39; Closing Time & # 39; than you think

Ben Cholok is doing a Princeton degree in philosophy and nothing else has he accomplished. Pat Dean is a seasoned comedian who lives in ignorance. Each week onwards I learned nothing, Cholok tries to teach Dean a different philosophy of philosophy in order to add meaning to both of their lives. This proves to be difficult: After 115 episodes, Cholok has been able to present Dean with philosophical and irritating ideas the hell out of him. Even something that involves the universe and integrating everything like An anthropic principle fail to catch Dean's thought; you are very keen to try to find out how paid professionals have matured Skywalker Rise it's bad. Despite Cholok's best efforts, he remains overwhelmed by Dean's calls at the couple's ratings losing his Catholicism and hating C-3PO actor Anthony Daniels. But that doesn't mean you will be left in the dark. Cholok remains in charge of clearly defining the basic principles of the concept, and when the plot of the episode, the audience will understand that the atmosphere was well-formed, whether it was designed or created, to exist I learned nothing

Ross Sutherland of Balance Counsel it is something like Merce Cunningham's sound producers, constantly trying to play with the ideas of nature that are automatically generated by impartiality, obstacle, and limits. His podcast is an interesting contrast, as Sutherland is actively trying to produce a meaningful product. The latest episode of the show is symbolic of that, and it's a real gem in a treasure-filled catalog. In it, Sutherland and his playwright Clive Desmond try to take the sister's famous body – where participants take turns drawing a part of the human body without being allowed to look at what others have painted in front of them – and put it on the map. audio format. Late last year, the Sutherland and Desmonds separated body parts that they would use as inspiration, naming their parts in secret, sharing only fractions of finishing touches with each other to effect non-sea change. The result is full of humor, wonder, creativity and real emotions. (Ben Cannon)

They don't know
Ten

BBC broadcasts on fictional podcasting have always been known to strangers in excellent ways, as well as the anthology They don't know it is a thoughtless and challenging work performed primarily by independent podcast artists. Janina Matthewson & # 39; s (Inside The Wires) The three-part story about Millie and her mother is a snake. Millie and her mother were trading on the telephone and voicemails after Millie moved to London, talking about the little things that bothered them, until those little things began to fix them in ways that were impossible, such as the loud screams of clothes they were fixing. Matthewson suggests math, conducting a marriage between Millie and her mother: Every time they talk, there is an extra interruption in their lives. The rest of the series is a complex series of stories that bring you breath into the very end. (Elena Fernández Collins)

Semisonic & # 39; s 1998 "Closing Time" may seem straightforward to its music and production: It's a college rock score about closing time at the bar and I'm looking for someone to come home at the last minute. But it turns out there is more to the song than that. On Song Burst, Semiticic writer and lead vocalist Dan Wilson is distributing a line of words in line with keeper Hrishikesh Hirway. According to Wilson, the hit song serves a double purpose, using a time-lapse image when the bar goes to a heartbeat, a screenplay for a difficult baby's birth, to push someone out of the world even when it's ready. It is not just the lyrics of the music that go deep in this conversation. Since Wilson spends significant changes, differences in celebrations and percussion, and in making a fast-paced episode, it's impossible to listen to "Closed Time" the same way as a piece skips. (Wil Williams)

This is a podcast from book lovers there Lit Hub has a pretty straightforward premise: The author reads one of their stories, essays, or an illustrated novel accompanied by sinking sounds, complete with actual score and voice actors conducting dialogue. This simple format tricks the unique audio experience. Anyone who finds themselves drooling while listening to standard audiobooks, will quickly notice the difference that can be made with a smaller quality design. Writers like Mitch Albom, Kim Barnes, and Matt Gallagher have once had the audience read through the first series of articles, and this week there is a quote from Nathaniel P. Love Stories, Adelle Waldman's rigorous examination of ethical, observant and intellectual men who lived in Brooklyn in the early 2000s. From the first sentence, the audience is moved to a dive line in New York City where the jukebox rides in the background during Nathaniel's many early days. As a bonus, Waldman gets stuck discussing the acting process behind the episode and the concerns that come with introducing any piece of writing in audio format. (Dan Neilan)

The series of land theft & # 39; 90s Xena: Warrior King she has managed to become a fierce, fierce, temple-like, and funky, establishing a loyal fanbase that has spread through the show that ended in 2001. Among those followers are the hosts Xena Qhawe Podcast—Vera, Katie, and Livy – are full of ideas for all six of 22 episodes. In our current reboot and reboot, three editors are considering options to streamline the beloved series. They also point out that the original show was a product of its time, and how the TV serial serial boundaries have changed, for better or for worse. Xena has an unmistakable kind of tone, with which managers put their oppressive ideas of reboot / revival. (Jose Nateras)