Luke Skywalker's story – how he fought with fear and anger; he grows up on his own, and eventually takes the benefits of his fate – well-known to Star Wars fans. Hopefully for the next trilogy, and the final turn this week Skywalker awakening, he can give the same depth to Rey, a character who is set to be his second successor as a Jedi, and as a defining policy industry, kind of blockbuster.
Fans are looking for a laser-like precision in the question of who they are Rey's parents, a focus that is dislodged by the answers given in The Last Jedi. Now that The wake of the Skywalker here, we can finally take a look at Rey's journey in its entirety, and see how its final installment best answers the question Press Awakens proposed: Do Rey's parents matter? And what was Rey's story like in the end?
The final event of the movie has one answer, but another Get up has a very unique.
(Vol. note: This section contains large fragments of Star Wars: The Awakening of Skywalker.)
In the last line of The wake of the Skywalker, Rey reveals her new identity, as Luke and Leia ghosts look – she's Rey Skywalker, and her future is exactly what she does.
Which wouldn't be so confusing, if Get up I presented a great revelation about her fertility: Rey is the granddaughter of Emperor Palpatine, and the key to a seemingly enormous plot to bring the Sith rule of the galaxy. This great revelation is set as if it will sow confidence in his mind – but Rey's story has always been about ending his past.
Rey, his parents, and the The Force Awakens approach
Rey begins the trilogy not by escaping the physical prison of his home planet, but by escaping the more sensible prison he made for himself.
Press Awakens it tells us that Rey to wish leaving Jakku. In one of his early cases, trapped underneath and in good working order, Rey scrubs from parts of the machine and collects it to sell to feed him junk. He looks at his work to see a crumpled old woman doing the same. It is an idea for his future, and consciousness touches him so hard that he stands still, lowering his arms as if suddenly tired.
But at the same time we learn that Rey was afraid to leave the planet, he stuck to his last memory of his parents, who said they would return to him. First Rey Press Awakens like the heartbreak of a young hero who is about to embark on his greatest journey, too Fry's dog.
As the movie progresses, it emphasizes over and over again that Rey cannot complete both programs at the same time. No less a mentor figure than Han Solo who does text messages. When Rey said he never thought there would be so much green, the cameras sat at him and stared at him – and offered him a job. When confirming his intention to return to Jakku, Han made a quintessentially Harrison Ford-ian quirk.
“It's too bad,” he says, “Chewie kind of likes you,” but we all know how Mr. “I know” corrects the feelings.
Thanks to The Beast: A Star Story, we have a lot of Han context here. His story was different for Rey Press Awakens arc. She has spent years trying to return to Corellia to find a childhood friend, but to find that she did not live around her is kept in amber waiting for her. He did what he had to do to live and thrive, instead of waiting for help. In the end, it was he who held them back, by their old adoration.
But where Han appears in a strange way, Maz Kanata, is something close The Army Awakens has Yoda, shining like a helmet to protect the storm.
"You already know the truth," he tells Rey, "Whoever is waiting for Jakku – he never came back." Rey's future is in Luke Skywalker, and training as a Jedi.
Every time The Army Awakens touches Rey's parents and past, it means you need to stop thinking of them as a future-ending affair, and start thinking of them as a treasure to escape from. His arc in the film is actually completed in two minutes: When he realizes he has found someone will back to himself – Finn, who bends all resistance around an illegal and mid-range rescue attempt – and when he talks to the Soldier inside of him, gaining strength to fight Kylo Ren.
He lets his family's idea of birth, get himself a new name. What matters is not his parents, or the mystery of his past, but what he does with his present.
Rey's parents did not identify him in The Last Jedi
The film of Rian Johnson, the middle child of the modern Star Wars trilogy, captures the idea that Rey needs to cross more than a few rows ago than when J.J. Abrams left him. First, with the revelation that Luke can't be a magical solution to Kylo Ren's problem with the First Order, and Rey's insistence that he train him in Jedi ways so that he can work in his place. Not a young player looking for this hero: She it is hero.
But the real moment of Rey's character is in the heartbreaking weather between him and Kylo Ren. He turns to Snoke's side to bring him back to the Light Side, the mirror of Luke's attraction to Vader. Unlike his grandfather, Ren rejects him – completely rejecting the Jedi and Sith dichotomy when he hears “Let the past. Kill if you have to. ”
To help her get closer to her way of thinking, she wants to destroy the last frames of her image. She tells him, brutally, that he is looking to her, and her parents were poor merchants who sold their only child for extra money. It’s a horrible act, but one of millions of sad stories at the hardscrabble underbelly of the Star Wars gala, where even the Jedi turned a sad eye but endured slavery.
Rey's victory comes when he rejects Kylo's expansion. His low background doesn't make him want to tear down the galaxy, and it doesn't stop him from achieving his power as a Jedi. He must not kill the past, he may just let it go.
He has created his own style, a theme emphasized by Yoda himself, when he seduces Luke into thinking that he has burned ancient Jedi texts. "That library was empty for the girl Rey didn't already have." It's time for something new, says Yoda, and Rey is still completely in control of the future of the Jedi.
Rise of Skywalker looks down and completes Rey's arc
J.J. Abrams' return to the sequel trilogy feels like a defense. We open up to Rey's longest and most challenging tutorial ever to see a young Jedi complete on the big screen – coming out not only against laser-shooting orbs but the rest of the video highlighting that he hadn't discovered his talent in a flashing light the way Luke had. Two minutes of half-hearted, explosive shoe training hit home.
Get up it never goes against Rey, because, in the same defense, it tries to have a problem with "Rey's parenting" both ways. From one side of its mouth, the movie explicitly states that Rey is able to shape his future, but on the other hand, he tells a story in which the list of his colleagues is focused directly on the plot.
The film delivers a hot retcon to it The Last Jedi, discovering that Kylo Ren was wrong, and that Rey's parents were not just vain peddlers, but the fugitive son and daughter of the Emperor Palpatine. Luke, in the Force ghost form, tells him that he and Leia always knew he was training him, but they chose not to tell him.
Both The Last Jedi even his own Abrams The Army Awakens We told a story about Rey realizing that her parenthood was not in line with her destiny, which is her own invention. The wake of the Skywalker turns that grain growth into a red herring, a distraction from the fact that you are so closely linked to the giant shaker and the giant cheetah.
The movie does this in the hope that we worry that having a Sith king for a grandson may cause Rey to accept this part of his identity and turn to the Dark Side, even though we spent two movies watching him learn that his past doesn't define him.
He does not turn to the Dark Side, of course, not the least.
The wake of the Skywalker it tells us that Rey is the heir to the Sith's legacy, and the late but ill-tempered Emperor has been waiting for an extraordinary 30 years to return to him, knocking him down and becoming the instrument of every sith chief. In the face, he looks at Luke inside Return of the Jedi – but the origins of Luke's parents only became problematic after Vader finally told the truth Empire Rebels Back.
When Luke discovers that Vader is his father, it gives him the emotional key to bring back the fallen hero from the Dark Side and fight the galactic tyrant. By the time Regy found out that Palpatine was his grandmother, he had already spent two movies rejecting the past. The wake of the Skywalker tries to back up Rey's character development – yes he does The Army Awakens character development – great acting has ultimately had no effect on the story.
The final scene of the movie closes any remaining legs under the impression that Palpatine's revelation had an effect on Rey. He travels to Luke's childhood home in Tatooine – a place he has never been to – to bury the last sketches of the previous Skwwalker family: The lights of Luke and Leia, one of which belonged to Anakin. As he does so, he takes the sweetness of the cohesion of his origin to Luke, lowering the dune sand, just as he had done to Jakku.
The elderly woman asks him who he is, and she gives him his name, before he stands up as the ghosts of Luke and Leia appear. There is no indication that he is giving any thought to his real parents, who now know that they were two people with perfect love who sacrificed so much to protect him.
He gives his surname as “Skywalker.” His future, and his legacy, is his art.
And we knew that because we watched two movies about it.